likedillinger: (Default)
2012-04-10 04:42 pm

(no subject)

A

[ ACTION: 1666 NELSON ST. ]
[ He'd told Lisa that the couch was fine for him tonight – insisted on it when she fixed him with that pitying expression, because he figured that if he needed anything right now, it was to be alone. It wasn't fair, bringing all this crap to her doorstep, but it was even more unfair to make her deal with what he was sure was going to be the most restless night of his entire life. Cas had put his body back together again, eased away all those physical bruises in the blink of an eye, but there was no easy fix for the emotional scarring. It just made it seem all the more ironic: looking and feeling fresh as a goddamn daisy while he was still beaten to a bloody pulp on the inside. His body was wide awake, but he'd never felt so tired and haggard in his heart. Which translated to either no sleep at all, or a night full of the worst dreams of his life.

So the couch was fine, he'd told her, leaving out the explanation.

It was probably two hours after lights out, when Ben was safely slumbering away, that Dean looked up to find her standing over the sofa, and then she was grabbing his hand and giving it a tug that was both firm and gentle at the same time. “Come on.” Her tone didn't allow for an argument, and he found he wouldn't have had the strength for one anyways. She pulled him into bed with her, and wrapped herself against his chest, where he could stare at the ceiling and squeeze out some tears without her noticing. She seemed to know better than to look for them. Before she drifted back asleep, she whispered: “I'm glad you came back” and he wondered just how long it was going to take for her to change her mind on that one.

Somehow, impossibly, sleep found him too.

When the light pouring into the room hit his eyelids, stirring him awake, it was easy to think for a moment that yesterday had really just been nothing but one long bad dream. But a glance through sleepy lids to his right ix-nayed that hopeful fantasy pretty quickly, when he saw that he wasn't alone in the bed, and remembered:

Lisa.

Any momentary fragile sense of optimism crumbled in an instant, replaced by a sick knot in his stomach. Which only knotted tighter when she stirred and he caught sight of something in the light.

Her purple hair.

He stared uncomprehending for a long moment, as if waiting for the punchline. Finally, tentatively, he just said: ]


… Lis?

B

[ ACTION: NELSON STREET ]
[ In a much less long winded bracket-based adventure, Dean's next move is to go play Nancy Drew and head out of his house to ~explore the neighborhood~. Opening people's mailboxes surreptitiously, glaring down freaky lawn gnomes, knocking on your doors, whatever. HE WILL FIND ALL THE ANSWERS. ]

C

[ ACTION: DOWNTOWN MAYFIELD ]
[ Or not, in which case he's going to head downtown to try and figure out what info he can about the town itself. He peeks in shop windows, eyes up the vehicles, taking specific note of the make, model, and year on each one, and then slips into a diner in hopes of pulling his best Marty McFly impression.

… Sadly, this is nothing new to his life. ]
likedillinger: (Default)
2012-04-09 10:00 pm

+2 demon hunters



there is nothing wrong with your television set.
do not attempt to adjust the picture.
we repeat: there is nothing wrong with your television set.
you are about to participate in a great adventure.
you are about to experience the awe and mystery which reaches from the inner mind to —

The Dean Winchester Zone.

Hellooo Mayfield~! This is Arden and I am entirely brand spanking new around here, and reachable on plurk at ardendactyl. I'm bringing in two characters this round: Mister Dean Winchester of Supernatural fame, who will be residing at 1666 Nelson St. (and finding his address to be a cosmic joke in very poor taste), and Isabelle Lightwood, from The Mortal Instruments (the same series as current resident Magnus Bane), at 462 Stone St.

If you're unfamiliar with Dean, he's a 31 year old red-blooded American who's been hunting supernatural creatures since he was a little kid. And his life has been a long, hard road full of suck, particularly since he found out his very existence is bound up with the war between angels and the Devil. He's literally been to hell and back, and personality-wise he typifies the good old Jerk with a Heart of Gold. He's well known for his ridiculously unhealthy co-dependent relationship with his brother Sam; however, he just suffered the loss of said brother and will still be reeling from the possibility of never being able to bring him back. Expect a lot of rampant alcoholism and depression, yay.

Isabelle "Izzy" Lightwood (Vakarian, here in Mayfield), is a 16 year old Shadowhunter from New York City, which means she hunts demons and other subhumans who break the laws of the Hidden World (evil vampires, werewolves, etc). She's been doing as much since she was 12, and she's remarkably dangerous with a whip. Or without one, for that matter. She's also fiercely loyal, but has a definite rebellious streak, which manifests in displays of promiscuity (particularly in flings with subhumans just to irk her parents) and a love for violence, along with a rather inappropriate sense of humor. Izzy also comes off as remarkably vain and superficial, though the things that truly make her tick are hunting and protecting her family. Her PB is Phoebe Tonkin and her journal is [personal profile] accessories.

For those who know the canons, Izzy is coming from the end of City of Fallen Angels, and Dean is coming from right after Season 5's finale because I'm an awful person.

Which you'll probably catch onto quickly enough.

You can find more contact info and my general tagging/RPing policies here.

I AM VERY EXCITED TO BE HERE O YES.
likedillinger: (pic#2104272)
2012-04-03 12:46 pm

Application ♛ [community profile] mayfield_rpg

Name: Arden
Personal Journal: [personal profile] dancinpenguins .
Contact Info: AIM: thegreatmuldini, Plurk: [plurk.com profile] ardendactyl
Other Characters Played: N/A, also apping Isabelle Lightwood
Preferred Housing: N/A, though I have a strong preference towards giving him housemates who are also newbies? To maximize the initial WTFery.

Character Name: Mr. Dean Winchester
Character Series: Supernatural
Character Age: 31


Background:

Dean Winchester was the first child of John and Mary Winchester, born in Lawrence, Kansas, on Jan. 24, 1979. The first few years of his life were about as normal as you could get - although his parents had some marital problems, they were still a pretty peaceful household. These suburban formative years would become a cornerstone of Dean's emotional attachment to his family, and despite only having lived there until age four, he possesses incredibly strong impressions of this time. The truth was, however, that this 'idyllic' childhood had come at a steep price for his mother, who had come from a family of hunters, and made a deal with the demon Azazel. When Dean was four, the demon came to collect, feeding its blood to his baby brother Sam, and killing his mother when she tried to interrupt the process. Dean's father charged him with getting the baby out of their burning house, and in that moment, Dean adopted a level of protectiveness over his brother's safety that would remain for the rest of their lives.

John was irreversibly changed by Mary's death and became consumed with seeking knowledge of the supernatural realm and trade of hunting that would allow him to locate the yellow eyed demon and extract vengeance for the murder of his wife. This meant a life spent on the road, taking both his young boys from town to town, school to school, motel to motel, all in his '67 Impala, stuffed with weapons and tools of the trade in the trunk. Dean was taught from a very early age how to handle weapons, fight demons and monsters, use supernatural protection, and develop a wide array of criminal skills necessary to their job. He believed that his dad was a superhero, and never saw their lifestyle as a burden - they were helping people, as a family, and those were the two most important things to him. When Sam learned the truth about their dad, Dean helped train his brother. He never really expected their lifestyle to change, nor particularly wanted it to.

Like it or not, however, change it did.

Sam announced one night that he was leaving, going off to college, and it sparked an explosive fight between him and John. Dean felt as if his brother was abandoning the family. The relationship between the brothers became strained when Sam left, and eventually they broke off contact completely.

Dean was running some missions by himself by this time, and that's when John went missing. Dean showed up at Sam's in the middle of the night, to secure his help in locating their dad. What they found instead were clues - and their dad's notebook full of occult knowledge. When Sam's girlfriend Jessica was killed in the same manner as their mother, he agreed to help Dean track the thing down, and find John, no matter what. Along the way, John dropped more hints leading the boys to various cases, until the message became clear: he wanted them to pick up where he was leaving off. They found him again eventually anyway, and learned about a weapon their father had tracked down - the Colt, that could reportedly kill anything. This led to a confrontation with Azazel, who possessed John, attempting to secure the Colt for himself. Upon escaping from the showdown, the Impala was involved in a car accident that resulted in Dean and John being admitted to the hospital.

Dean was stuck between life and death, until his father made a deal with Azazel, trading his own life for Dean's. Before his death, he told Dean that if Sam could not be saved, it would be his duty to kill him. It was, however, Dean who saved Sam from death later, by making a deal with the crossroads demon to bring Sam back when he was killed. He, like his father, traded his own life for his brother's, but instead of dying instantly, he was granted one final year. Dean then used the last bullet of the Colt to kill Azazel, and release his father's soul - but in the process, legions of demons escaped into our world. The boys swore to track them down, and Sam vowed to find a way to save Dean before his time was up.

Dean tried to argue Sam out of any attempts to save him, though his brother wouldn't listen - and Ruby, a demon who offered to help him find a way - certainly didn't help matters. An encounter with a thief named Bela ended up with the boys losing the Colt. They learned that the demon who held Dean's contract was named Lilith, and Dean took Ruby's demon killing knife and tracked her down. They were, however, too late, and were tricked by Lilith's body hopping into Ruby. Lilith granted entrance to her hellhounds, who proceeded to tear Dean to pieces. His soul went directly to Hell.

In Hell, Dean spent thirty years being tormented by the demon, Alastair, who would eviscerate him again and again. He was made an offer every day to be taken off the rack if he would become Alastair's student. He resisted for three decades, but finally gave in, and for the next ten years, he studied torture under Alastair. Ripping souls apart for so long - and taking out his hatred of Alastair on those souls - had a massive psychological impact on Dean, who didn't believe he would ever be escaping hell, but, for Sam's sake, still fought against becoming a demon himself.

After approximately forty years in Hell, Dean was pulled out by the angel Castiel. Uncertain of how he had escaped, he found Bobby and Sam again. Between the aid of Bobby and Pamela Barnes, Dean discovered who saved him from Hell - and Castiel told him that he had been saved to do God's work on earth. He also learned from Castiel that Lilith was breaking 66 seals on Lucifer's prison - that yes, the Devil was real, and he would be freed if she wasn't stopped. Castiel sent him back to the past, where he learned the true history of his family and about Mary's deal with Azazel. Dean's attempts to change history turn out to be, in fact, a part of history itself. When he found out about Sam's new abilities to fight demons, and that he'd been bumming around with Ruby, the boys had another huge fight. After having struggled in hell against becoming something like a demon himself, seeing that his brother had walked down that path in only the few months that he'd been gone was shocking, and he accused Sam of not being human.

The boys encountered Anna Milton, who they first thought could simply hear angel voices, but they learned was actually a fallen angel herself, who had lost her grace. It turned out both heaven and hell were after her, and so they aspired to protect her until she got it back. Dean and Anna ended up getting down, which only goes to show he had some natural strange predilection towards angel booty. HMMM.

The angels later took Dean against his will, and demanded that he torture Alastair for information on who was killing the angels. He was forced to confront what he'd done and become in hell, and it was only made worse by Alastair talking about torturing Dean's father. That was nothing, however, compared to the low blow Alastair eventually gave him: that when Dean had taken his offer and become a tormentor downstairs, he'd broken the first seal and set the Apocalypse in motion.

Oops.

And then there was a clusterfuck of badassery in which Alastair and Uriel died. Dean ended up in a hospital where Castiel confirmed what Alastair said. Manly tears abound.

Another brotherly fight, the worst they'd had so far, ended up with them splitting ways again, and he went to the angels and swore to serve God. And then the angel Zachariah stuck him in a fancy room with some hamburgers so that he wouldn't meddle with the angels' precious little Armageddon. Cas grew some balls and helped Dean escape, but it was way too late. Sam killed Lilith - which was the final seal, and Lucifer went free. At least Dean got to kill Ruby.

This didn't really make him feel all that much better. :C

Dean shortly learned that he was intended to be Michael's vessel in the final battle between he and Lucifer. However, he did have to agree to it - and so began a long dance of the angels trying everything they can to get him to agree. His life, which already sucked, headed back to Hell pretty fast. Especially since Sammy was slated to be Lucifer's prom dress, and Lucifer was also attempting to get Sam to say yes.

The Four Horsemen came to town, and the boys had to fight them off as well. Meanwhile, the pattern of everyone they knew and loved getting screwed over/dying as a result of their connection to them continued and... got worse. Castiel decided their only hope was to find God who was missing, but that search didn't turn out to be very fruitful either. The angels played more time travel games with Dean, but he still said no. Sam and Dean learned that the Trickster god they'd faced down several times before was actually the angel Gabriel, who also urged them to just 'play their parts' and pointed out how their entire lives had been a shadow play of the relationship between Michael and Lucifer.

Sam and Dean faced off with Lucifer, planning to kill him with the Colt, but it didn't work. And in the process, Jo and Ellen died to save them. When the boys were killed and went to heaven, only to learn they'd been there multiple times, and had the memory erased, Dean's morale plummeted to zero - especially when he heard that God didn't care, and wouldn't be helping them. His downward spiral ended with him leaving Sam to go accept his role as a vessel. This plan, however, got cockblocked when the angels resurrected the boys' dead-half-brother Adam, to use as a vessel instead of Dean. Dean ended up stabbing Zachariah, though he did say yes, but backing out due to Sam's faith in him.

Our heroes were pretty much out of plans except for one really crazy one, so that's... what they went with. Gabriel left them a video explaining, in the wake of his death at the hands of Lucifer, that the Horsemen's rings could be used to make a prison to seal Lucifer back up. However, Sam had to drink demon blood and say yes to allow Lucifer inside him, so that he might fight him for control and walk him into the prison. Dean promised Sam that if it worked, he'd go back to a woman named Lisa Braeden and try to leave a normal life.

Surprise, the plan doesn't exactly work out and Lucifer walked... with Sam's body. Dean, Castiel, and Bobby showed up to the final fight, and Lucifer promptly disposed of the latter two. In a Lifetime movie moment, Sam managed to regain control of Lucifer who was in the middle of beating the crap out of Dean, when he saw some army men stuck inside the Impala and got a flood of memories of their life in it. The battle ended with Sam/Lucifer and Michael trapped in the prison. Castiel was resurrected by God, and healed Dean as well as bought Bobby back. Dean parted ways with them both and returned to Lisa's to make good on his promise to Sam. However, he was full of bitterness towards God over what had occurred, and dealing with the loss of his brother, when he ended up... in the game.

Personality:

Dean's life has been fairly defined by fulfilling the 'good soldier' role. It meshes well with his instincts - he is, at the core, the big goddamn hero type. However, he's also capable of being so notoriously stubborn that it's almost a surprise how easily he'd bend to his father's orders well into his "adulthood". In truth, his desire for his father's acceptance and respect has been one of the driving forces in his life: whereas Sam managed to step away from the path they were born into, if only for a little while, Dean's stuck to it every inch of the way. His entire personality's been crafted to fit the business that his life is wrapped up in: he doesn't form attachments quickly, (except to some of the people involved in his line of work), the skills he's mastered and knowledge he's memorized all have to do with ways to most effectively hunt, track, and/or destroy demons and other supernatural baddies, and he has a sense of humor that takes things other would consider horrific lightly.

It is not, by any stretch of imagination, an exaggeration to say that Sam is at the very center of Dean's world. Dean's a soldier at heart, and one whose loyalty is to family, rather than flag, country, or company. Sammy's representative of the very last fort standing, to maintain the metaphor, and ever since the day when their father first put his infant brother in his arms and charged him with his protection, he's considered that a personal crusade. He'd do anything to save Sam - and not just to save his life, but more importantly, perhaps, to save his soul.

The most important thing to Dean is family, and he'd really do basically anything for those he puts in that classification. At the same time, no one in the world can piss him off so much as family, because of how much he has invested in them. So when Sammy screws up, it bothers Dean to no end: especially because he considers himself so responsible for his brother. He practically raised Sam, given the way their father was always so invested in his work, and so he often slips into acting as more of a father-figure to his brother than a sibling. In fact, given that Sam and his father were the only consistent figures in his life for so long, he approaches the entire world with a similar attitude, and expects there to be a chain of command, often assuming that he'll be the one at the top of it. He instantly tries to take control in situations where the boys are forced to work with allies, and butts heads against the idea of bending to authority (other than his father). This really all slides into how he wants to emulate John Winchester, and his behavior subconsciously mirrors what he was used to seeing in the man: the guy who was always in charge, gave the orders, and expected everyone else to fall in line without question.

Dean and Sam's differing views on hunting have a lot to do with their respective childhood experiences. Dean remembers what it was like to have a normal life, family, and home, and he's had to watch how losing all that transformed his father. Given that the loss of his mother was something very real to him, unlike it was to Sam, it's hardly surprising that Dean chose the subconscious route of justifying his father's transformation, rather than condemning it, because this allowed him to not also lose his father, so to speak. If he accepted that the path his father was taking was not a healthy one, or chose to be resentful about it, it would put a wall between them that would leave him without any parental figure to look up to, and the loss of his mother hurt him too much to be able to willingly accept that and make that choice. Instead, it was easier, and more conducive to his relative sanity, to simply find reasons to believe that all his father's actions were just.

So how did a very young Dean grow up justifying the questionable actions of a man who ripped his childhood from him, and his chance at a normal, real life or identity? How did he come to practically worship a father who was bent on vengeance, and showed more passion for his obsession than love for his children?

Very easily, actually. He simply applied a child's lens to things.

He believed that his father was a superhero.

It's a common enough childhood fantasy to think that one's mom or dad is a secret crime fighter, but in Dean's case, he had every single reason to believe it. John Winchester used aliases everywhere he went, making who he really was into the secret identity he only shared with spare friends and his family. He didn't have to hide behind a mask - this was modern America, and we're identified by our paperwork. Fake IDs, passports, credit cards - they were all as good as a mask, or better. Sharing in his father's secret became empowering for Dean, and was one reason he's always been so determined not to share it willingly. Next to ordinary, every day people, John's occult knowledge and martial skill would seem practically like superpowers to a child. Though that perspective, having his father pass that knowledge and those techniques down to him was a particularly sacred type of apprenticeship. He was expected to carry on his father's legacy, fighting the forces of darkness, while sacrificing his own normal life for the greater good. It was every child's dream: it was Dean Winchester's reality. It's no surprise also, then, that he took to the role with so much enthusiasm, and attempted in every way possible to imitate his father.

Dean's mimicry of his father extended to more than just learning the tricks and trades of fighting the supernatural. He also mimicked his father's "costume" - wearing the same sort of battered leather jacket and same style of clothes as his dad. Sam points out that Dean even listens to the same music as their dad, and Dean is deadset on not even trying to listen to anything more modern. Being given the Impala by his father was a huge symbol to Dean of "becoming" his father, as he long hoped to do, as the Impala was as symbolic of John's heroism to him as the Batmobile was to Batman.

Speaking of whom, it also only makes sense that Dean's favored superhero is who it is: if John Winchester is any sort of superhero archetype, it's most definitely Batman.

John and Dean might not have come from a family of wealth and privilege, but they find a lot of their wealth in freedom - and with a string of fake credit cards, money's never been something Dean's really had to be too anxious about. But the real Batman similarities lie strongly in John's motivations. Bruce Wayne transforms into Batman so that he might enact vengeance on the one who killed his family - and anyone like them. He felt his action were tied to the greater ideal of justice, but in truth, they were rooted in a very personal desire for revenge, that turned his personal crusade into an obsession that warped his entire sense of reality.

Unlike Superman, or other heroes whose powers are derived from some supernatural source in and of itself, Bruce Wayne's powers came simply from his own resources, physically, mentally, and tangibly. To Dean, this seems the ultimate sort of hero: someone normal, who through their own cunning and training turns themselves into something that the dark side of the world needs to be afraid of.

Most importantly, perhaps, Dean's view of his father as a superhero did a huge number on the development of his actual personality. When it comes to hunting, Dean's serious, sharp, and dangerous, but when it comes to interacting with people outside of this context, he's come to view himself as presenting a "secret identity" of his own. Problematically, when this is the majority of the interactions he has, this becomes his prominent personality, so that he, for all intents and purposes, is the face he chooses to show the world. Just like with Bruce Wayne, most of this personality is designed specifically to keep others at bay, to throw off suspicion, or to disarm others so that he might extract whatever he wants from them. Bruce himself comes off as someone entirely self-involved, irresponsible, superficial, and hardly heroic by any definition of the word. Dean comes off as equally self-involved when he is in fact, probably the most selfless character on the show. It's that selflessness, actually, that keeps him from wanting to advertise the fact, so that he won't be celebrated for the trait. In the same way, Dean's incredibly responsible when it comes to things he actually cares about, and he prides himself on the fact, but you'd be hard pressed to find someone who would actually call Dean responsible. Dean's personality seems incredibly superficial, given his tendency to turn even the most dire situations into jokes, but he knows exactly what the reality of the situations he's dealing with are, and he doesn't screw around when it comes to the safety of others.

Dean's 'secret identity' personality is also what is responsible for his inability to connect with others readily. It's his natural instinct to hide things about himself from people, whether they're the reality of what he does, or simply the truth about what he's feeling in any given situation. Having any of this laid out makes him vulnerable, and puts his entire "quest" at risk. Obviously, it's much easier for him to keep relationships with others on a superficial level, and this is especially applicable when it comes to women. He maintains the same sort of tendency towards a number of casual surface level flings that Bruce Wayne has, more to cultivate an image of himself (and as part of the coping mechanisms I'll discuss in a later essay) than anything.

Even Dean's perspective on Sam is influenced by this superhero lens. In almost every superhero story, the hero keeps his identity a secret from those loved ones in his life that he needs to protect, and who wouldn't be able to handle protecting themselves. The fact that Dean knew their father's secret for a long time before Sam ever did, meant that during those interim years, that's how he saw Sam: as someone who needed to be protected, which is obviously a sentiment that has stuck with him for the entirety of their lives. Sam's inability to look over their father's flaws, which Dean has always justified as simply necessary evils, is a threat to Dean's carefully constructed fantasy about their lives, and is why it's such a point of emotional contention between them. Very little is as effective at getting Dean pissed off quicker than when Sam attacks his view of his father.

Of course, as the series progresses, Dean is forced to face up to the possibility that Sam is right. Dean's been able to make it to his late twenties without ever having to really grow out of his childhood fantasies, and so it's especially difficult for him to try to realign his way of looking at the world at this point. He still continues to scrabble to justify his father's actions, but the truth is, that the attention his father always directed towards Sam, as a result of Azazel's plans for him, made Dean feel as if he was always second best, no matter how hard he tried. There's a level of resentment that simmered under the surface of Dean's relationship to John, that despite toeing the line to an extreme degree throughout his life, he still got cut less breaks than Sam ever was. Given the degree to which he hero worshiped his father, and aspired to be like him, so much of his self-worth became tied to his father's approval, and the fact that John rarely ever evinced it is one of the main reasons that Dean's seeming egotism is nothing more than a front for his incredibly low sense of self-esteem. The fact that his father managed to last as long as he did under Alastair's knife without giving in, while he gave in after only thirty years was just the nail in the coffin of his self-delusion that he could ever be the kind of hero he sees his father as.

By this point in his canon, Dean's been forced to face some of his father's more questionable decisions at face value, and been sent back in time to learn that his father used to be a perfectly normal person, both of which rearrange Dean's own ideal end game. Dean used to think that there was no reason he would ever want to hang up the cape, so to speak, but now he realizes that what drove his father was the impossible desire to be able to return to that state of normalcy. Dean ends up reversing roles with Sam: he wants the white picket fence and family, and retirement. Problematically, however, at the end of the 5th season, his experiences, his time in Hell, losing Sam, and his anger at God all culminate to one very terrible truth: there is no going back for him, because he will never truly escape what he's been through, like a veteran returned from the worst of wars. Just like his father, just like Bruce Wayne, just like so many heroes, his identity is the hero within, and escaping it may simply be an impossibility.

In terms of his "surface" personality, Dean comes across as a real 'man's man', indulging in women, booze, pie, classic rock, cars, and guns, and bashing on anything he considers to be below his tough guy image. It seems to take a lot to shake him to the point of tears (though in reality he cries more than like anyone else on the show combined, shh). He's always ready to face things with (maybe too much) bravado, and probably some foul language, just to spice things up. He's stubborn as hell, and he'll break whatever rules (or faces) he needs to in order to get the job done.

The reality behind these quirks of his is much more tragic than it seems - even down to his pie fixation. His reliance on alcohol and women has much more to do with his own ineffective internal ability to cope with the crap he deals with on a daily basis. Alcohol's what he relies on to numb himself to the lives he's taken, friends and family he's lost, and the price it's all exacted on him. His flings with women serve an almost diametrically opposed purpose: they're the closest he can allow himself to get to 'feeling' something, even if it's mostly just a meaningless physical release. Having the attention of those women is part of what keeps his shreds of self-esteem stitched together, and the lack of a strong female figure in his life easily led him to view most women as 'disposable', despite he way he idealized the relationship that his father had with his mother. In his eyes, that's just that: an ideal, not something that can last, or ever be real. The only time Dean ever attempted to circumvent his own illusions on the subject, with Cassie, he got his heart broken, which only convinced himself more than ever that he was right in erecting those walls in the first place. Hell managed to remove a lot of Dean's inclinations towards using hook ups as a way to ~feel~, both because of the fact that he'd been literally faced with the consequences of dehumanizing people when he had to torture them in hell, and because he was so jacked up that he didn't think he could feel anything anymore.

Dean's time in Hell did quite a number on him all around, and forced him to face some of the darker sides of himself. He was already emotionally stunted before he did time there: but coming out the other side has screwed him up royally. He has an even more difficult time forging new emotional connections than he did before, and he's never been particularly good at making himself vulnerable by making friends in the first place. Dean may rock a serious ego on the outside, but in reality, he hates himself, and the things he's been through, and feels a constant need to prove himself. It's important to note that when Dean started his stint in hell, he had no idea he was ever going to leave. When he began his tutelage under Alastair, he expected to be doing that for the rest of eternity, and had ten years to try and emotionally equip himself to deal with that realization and harden himself to it. This involved grasping onto a certain level of disconnect, while very stubbornly attempting to hang onto what made him human, so that he wouldn't become a demon and a failure to his brother. This was a major source of angst for him when he returned from the grave to find Sam on demon juice: after he'd struggled so hard to maintain himself, Sam had all but thrown himself at taking a step towards becoming a demon while he was still alive.

There's a part of Dean that is always going to be subconsciously jealous of Sam's independence, however. He was jealous of the love that their father had for Sam, even when Dean was the more obedient son, and he's incredibly envious of the fact that somehow Sam can compartmentalize the 'hunter' thing, and make attempts at a normal life: college, girlfriend, career, etc. It's one of the reasons he pushed so hard to get Sam to admit he couldn't escape these things; because if he could, it meant that maybe there was something wrong with the choices Dean had made, and he didn't want to face that.


Abilities:

While he doesn't possess any innate superhuman powers, Dean's been trained since a very young age in hunting supernatural beings, and he possesses a wide array of knowledge on that subject. He's proficient with a variety of firearms and bladed weapons, but also skilled in utilizing improvised weaponry, and able to combat hand to hand in a fist fight. He was apprenticed to the demon Alastair for a decade in hell, and as such, is highly qualified in the art of torture. Dean's skilled in tracking as well, and has a life time of experience in the realm of investigation, including questioning people and reading behavioral cues. He can be an incredibly charming individual when he... wants to be, and is especially good at getting his way with women.

He has extensive knowledge of creating explosive devices, often from limited resources, and seems to have a good grasp of practical chemical and electrical engineering, as far as it relates to his profession. He's got a lot of shady skills as well, manipulating credit cards, creating fake IDs, picking locks, escape artistry, stealth, carjacking, etc. etc. He knows how to use a variety of supernatural tools, and even learned the spell to banish angels back from heaven. He's a great driver, pool hustler, and mechanic.

He's also adept at ruining lives.

Sample Entry:

Various links! If you need something more, please let me know and I will gladly provide. ♥

Network post @ [community profile] counted_stars
A more recent network post using the equivalent dreamwidth account also @ [community profile] counted_stars

First person sample used for Woods Between:

You know, it really never freakin' ends.

I'm Dean, I'm here to rescue you, blah blah. Let's get this straight though: I'll do the job, but then I'm getting out of here, as soon as it's done.

I'm not here to make friends. I'm not here to have sharing time after every mission.

But you need some weird-ass monster killed? I'm your man.

So what kind of skills is everybody packin'?

First person sample used for Counted Stars:

Did someone typo my contract? Because last time I checked, sending me to rock out with the Jedi wasn't exactly my personal idea of what Hell was gonna be like.

Not that I'm complaining over here. Maybe I did enough good deeds to make it through the pearly Lucas ranch gates anyways.

So where's the Falcon? I wanna see that baby up close and personal. And bring on the alien babes. Blue chicks, green chicks, Jabba dancing chicks, ones with crescent rolls on the sides of their heads - I don't care. If this is heaven, I'm not gonna be choosy.

... Also, what the shit is a 'gizka' and do I want to order it for dinner or get tested to make sure I don't have it?
likedillinger: (| wth sam)
2012-01-22 11:51 am

[community profile] houseonthehill info:



Speed:
8
7
6
5
4
3*
3
3
Might:
8
7
6
6
5*
4
3
3
Sanity:
8
7
6
5
4
3*
3
2
Knowledge:
6
6
6
5
4
3*
3
3
likedillinger: (| walk ten paces then draw)
2011-11-06 01:02 am

[livejournal.com profile] counted_stars tracking | september | completed

Thursday, Sept 1st

+  An infected Jo turns into a rakghoul and Buffy and Sam enlist Dean's help in fighting it.  Sam & Dean realize they only have one choice:  they have to kill it, even if the thing is Jo.  It's really angsty:  Dean can hardly bring himself to do it and afterwards sheds a single manly tear and refuses to talk to anyone ever about it.

Tues, Sept 6th

+  Jo's zombie incident makes the Captain a little paranoid about anyone getting sick on his boat, so when Sylar gets the sniffles, Dean does the logical thing and puts him on lockdown in the panic room.  Brennan later helps Sylar escape.
+  Dean welcomes Elle back again.
+  He ends up going for a drink with Black Widow that night.

Thurs, Sept 8th

+  Dean signs him and Sam up for Buffy's raid of Crimson Terror HQ to find the cure for the virus.

Tues, Sept 13th

+  Jo comes back to life, and after talking to Sam about why Dean's avoiding her, she goes to find him, and he sucks at talking about it.  No one is surprised.  But she manages to get him to sing REO Speedwagon for her, because he's feeling so guilty, which leads to them having a ~moment~, and she tells him that if he ever makes up his mind about what he wants with her, she's there, and the sexual tension mounts a bunch until he kisses her.  And then cockblocks himself because he actually doesn't like the idea of having sex with her while she's in the emotionally screwed up place of having come back from the dead that day ... right after he KILLED her.   That's right, he actually turns down sex.  Mark your calendars.

Wed, Sept 14th

+  Dean talks to Sam (Flynn) about what he's been up to, and Sam declines to assist on the cure run, because of his fears of facing his father :C
+  Dean, Sam, and Cordelia team up to raid the Crimson Terror and they do some exciting raiding

Sunday, Sept 18th

+  Dean greets Buffy's kid sister.

Thurs, Sept 22nd

+  Dean mistrusts Sylar's optimism.  And makes accusations about his sexuality.
+  Dean offends Tali's entire life multiple times and suggests Quarians are all born with AIDS.  Shepard can't even.gif his iife.
+  Dean recruits Sulu to be the enterprise's helmsman!  And learns what a helmsman is....
+  And fails to recruit (or pick up)  Uhura.

Sun, Sept 25th

+  Dean meets Mordin and pisses off Jack some more.
+  Buffy tries to get a ride from Dean to Korriban to help Jacen, but he can't get her there fast enough

Mon, Sept 26th

+  Nu!Kirk arrives and Dean fears losing his ship/crew/captain status :C

Wed, Sept 28th

+ Dean goes to the festival and is offended by the lack of pie, but Vietnam provides for him, and Dawn shares some with him too.  Sylar & Dean talk about taking a beach vacay to Mon Cal.
+  He also hits up all the kissing booths:  Lily, Buffy (but only to measure hunterchan dicks), Cordelia, and Isabela
+  He gets a tarot reading from Willow and trolls Jack's facepainting stand
+  He gets his flirt on with Inara, and talks to her about dead people being alive here and stuff.
+  Jo, Dean, Sylar, and Sam go to watch the fireworks, which makes Dean all nostalgic inside.  Jo is googly eyed over Dean which makes Sylar a sulky puppy.

Thur, Sept 29th

+ Dean meets Ron Burgandy and is not impressed
+  And mistakes Constantine for a demon, and they talk about hell
likedillinger: (Default)
2011-11-05 03:46 am

[livejournal.com profile] counted_stars tracking | october | completed

Sun, October 2nd

    +  Dean meets Shepard's newest scary crewmate, Wrex
    +  Dean and Cordy discuss their mutual egos in the wake of their festival kiss
    +  When a certain trenchcoated angel arrives, Sam and Jo warn him about Dean's chrono impairment.  Dean and Castiel proceed to get off to a smashingly awkward start.
    + Castiel and Nathan Young discuss the threat of the human centipede.  Dean's not even involved, I just never want to lose this link.

Mon, Oct 3rd

   +  Dean hits on an AI because it sounds like Tricia Helfer
   + Dean is not afraid of dark elves and all that World of Warcraft shit
   +  He asks McCoy for some hangover cures

rest o the month )
likedillinger: (| huzzawhat now)
2011-11-05 01:48 am

[livejournal.com profile] counted_stars tracking | november | in progress

Tuesday, Nov 1st

  +  On the way back from Aquarius, the submersible is attacked by a gigantic tentacular kraken monster, because that's just their luck.
      With the help of everyone on board, Dean manages to make things worse  help kill it.
  +  During the fight, Sylar's powers are revealed, so afterwards, Dean confronts him on the beach, and they beat each other up, Fight Club style.
  +  After getting healed up by Cas, Dean spends most of his night hacking up the krakana carcass and grilling it up, so everyone can enjoy some beach tailgating that night before they leave.  During the evening, he talks to Buffy about Spike and they form a semi-truce, Spike manages to gross him out, he offends Xander's delicate culinary sensibilities, and then he confronts Jo about keeping Sylar's powers a secret from him, and they agree not to keep anything else from each other.  She says it's up to Dean about whether to keep Sylar on board or not, and then pitches the idea of setting up a roadhouse HQ on Coruscant, which he ends up agreeing to.

Wed, Nov 2nd

   +  Dean talks to Claire about these wacky dreams, who is busy thinking about Sylar's implications that they're dating
   +  Dean talks cars with Tony Stark.  Sorta.
   +  Dean loves daddy issues.  Constantine should too.
   +  He talks to Catty about how the world turns or... doesn't, back home

Thurs, Nov 3rd
 
    + Event: Dean wakes from a nightmare about kissing some dude and talks to Jo about it and her pregnancy nightmare.  And then goes and gets a beer from the kitchen and talks to Buffy.

Fri, Nov 4th

   +  In the morning, Dean takes a moment to troll the Normandy crew, and admire Jack and Joker's handiwork
   +  Event:  Dean also has to face up to talking to Amy Pond re: his horrible dude-kissing nightmare
   +  A mysterious nebula causes the entire Enterprise crew to pass out and then wake up with no memory of who they are or how they got there.  Hilarious shenanigans ensue.   Dean thinks his name is Jim Kirk, and that they've been abducted by aliens.  They find Dean's fake passenger manifest full of classic rock names, and figure those must be theirs.  Buffy is Joan Jett, Xander is Alexander VanHalen, etc. etc.

Sat, Nov 5th

+  Dean hits it off s-so well with Vala 8|

Sun, Nov 6th

Dean suits up and announces the Enterprise II is docked.  And has some business to take care of.
     - Sulu suggests they talk to Kaylee Frye about being the new ship Engineer since they're giving Sylar the boot
     - Dean and Jo go shopping for a building to house the Roadhouse
     - Cas and Dean talk about the impending plans to face hellhounds and reaffirm Cas' role in it
     - Dr. Daniel Jackson asks Dean exactly what it is the Enterprise crew does
     - Dean tells Sylar he's got to leave the ship.
     - Buffy and Dean have a remarkably civil conversation.
     - Spike has to troll.
     - Catty talks to Dean about Nar Shaddaa
     - Dean explains the game plan to Vietnam

+  And that night, Ellen Harvelle shows up, throwing everyone off.
+  And Dean catches up with the exploding Scoobie drama surrounding Buffy going to take on Angel.  And offers to help her find a way to hold him.
+  And then finds Sam at the bar and they argue over Buffy's approach, but Dean fills him in on the plan to turn the panic room into a vamp prison.

Mon, Nov 7th

+ And the Roadhouse crew expands as Ash shows up
+  He talks to Jack about her dreamshare experience

Tues, Nov 8th

+Dean & Sam are sent coordinates of Coruscant and come to one conclusion:  Dad's back.  Jo & Cas offer to help them find him.
likedillinger: (| triad of awesome)
2011-10-25 04:06 pm
Entry tags:

[livejournal.com profile] counted_stars : Enterprise II Crew & Ship info

Enterprise Crew | Present )


Enterprise Crew | Past )

ENTERPRISE II SHIP SPECS

Make: Corellian
Type:  Cruiser
Model:  Early Corvette, a smaller version of the CR90 developed many millenia in the future
Crew: Can hold up to 15 comfortably; requires a crew of about 6-7 minimum operations

Layout includes:

Bridge
Pantry/Kitchen
Captain's quarters
Engineering Deck
Armory
Shipboard bar
6 other individual quarters
Barracks with bunks
Hidden smuggling compartments

The ship has had shielding and weapons upgrades courtesy of Czerka Corp.

likedillinger: (| 100% badass)
2011-10-08 06:07 pm

Drabble Meme Redux

It's been awhile since this journal saw any posting action.   /CHANGES THAT

I hope everyone on my f-list that I haven't talked to in awhile is doing well.  ♥  Time for a MEME REDUX.

01.
 Put your music player on shuffle all.
02.
 Write a drabble for whatever song comes on.
03.
 You only have the time of the song to write it.
04.
 Once the song is over you’re done. You can’t write anything more for that drabble.  Cheat like crazy on this step.
05.
 Do this five times    Do this once to get back in the swing of writing drabbles 8|

This is [livejournal.com profile] counted_stars specific so Sam is [livejournal.com profile] imnot_likeyou and Gabriel Gray is [livejournal.com profile] intuitivelyapt.  They are used without permission, nyah nyah nyah.

---------------------


#1 (and only):  Secret Karma Serenade by Yasushi Ishii

Most of the cantinas Dean tended to frequent were the kind of New Hope fare that he could feel right at home in, but this club on Zeltros was something else.  He would have sworn it was a strip joint with the way chicks were writhing to the sensual pounding beats, if it weren't the fact that Sam had come along willingly, and he'd been the one to research the place before they arrived.   

Their contact lounged in a purple vinyl couch near the back, two chicks with bright red skin and minimal clothing cradled up to either side of him.  Dean raised an eyebrow in appreciation, as Sam rolled his eyes.   

"Rykk?" Sam asked pointedly, and the guy touched a button on the side of his shades.  The dark lenses retracted, revealing two eyes that were completely blue, void of pupils.  He looked between them both, and behind them, where Gabriel was skulking, with an expression that made it clear he thought they were as good as the dirt on the bottom of his dura-shoes.  

"Who's asking?" he said coolly, in a smooth voice that would have made Lando Calrissian envious.  

"Karma," Dean said, tossing a datapad onto the table in front of him, where it clattered right into the guy's plate of exotic appetizers.  "She's a real bitch like that."   Rykk shot him a poisonous glance as if he knew what was coming and picked up the datapad hesitantly.   The manifests laid out a pretty dark trail.   One that would land him in jail pretty easily, if it got out to the right authorities.

He smiled, revealing teeth as sharp as knives, and his voice dripped with malice.

"You have my attention," Rykk said, making that sound remarkably like a threat.  "What can I do for you boys?" 

Dean grinned.

"I was hoping you'd ask."
likedillinger: (| that shaft is a bad motha- shutyomouth)
2011-07-03 12:32 am

[livejournal.com profile] counted_stars tracking

COUNTED STARS:  all the threads 
 
ALL OF THEM ) 
likedillinger: (Default)
2010-10-28 04:36 am

[livejournal.com profile] counted_stars Fanmix for <lj site="livejournal.com" user="incauti

Fandom Supernatural 
Subject |  Dean Winchester ([livejournal.com profile] likedillinger) / Jo Harvelle ([livejournal.com profile] incaution) and their lives, past, present, and future (???), at [livejournal.com profile] counted_stars
Title | Borrowed Time
Notes |  This is a megamix of 71 songs, because I'm trying to help Brandi rebuild her music collection.  ... But also because I had that many songs.  :|    Faux cover art by [livejournal.com profile] saria.

Borrowed Time
a Dean/Jo in space mix
by [livejournal.com profile] dancinpenguins


Ok, that's not the actual cover art.

... But it should be.

Part I : Back Home

     Dean and Jo's lives back home, 
       including the two years she lived that Dean hasn't.

Trouble Is a Friend | Lenka
Trouble he will find you no matter where you go

Jo's POV.   This song has a pretty light-hearted tone, which I really wanted
to represent the banter-heavy early days when Jo & Dean first met.  
However, as funny as it might be to think of Dean being walking trouble, 
there's a bittersweet reality to the fact that it's the sort of trouble that's going to 
wind up lethal for Jo in the end.
Guys Like Me | Aimee Mann
For every player there's a pay-off in the final reel; but never with guys like me

Dean's POV.  Dean's 'reputation' and Jo's experience with fly-by night hunter guys
trying to hook up with her are important factors in their interactions back home, in that 
they set the stage for Jo's own uncertainty about exactly how much Dean is capable of 
respecting her, and for Dean's issues with thinking of Jo as a viable romantic candidate,
seeing as how she's someone who actually has an idea of who he is, rather than just what
"front he fashions".   There's a part of Dean that really doesn't think he's capable of
not being one of "those guys" anymore, after his commitment failure in the past,
but the way Jo's completely unimpressed by the part of him that puts on that facade
gives him some moments of self-awareness, particularly about the way he treats women. 

Stuck On You | Paramore
I claimed i didn't care for you, but your verse got trapped inside my head, over & over again

Jo's POV.  I love the steady, driving, hypnotic beat of this, and the attitude in it.
It's a simple enough concept:   Jo didn't want to fall for Dean, but he managed to
get under her skin in a way that only got worse and worse over time.  Even early on,
the seeds were planted for Jo finding herself subconsciously waiting for Dean
to wake up and see her for what she could be to him.
Just a Little Girl | Trading Yesterday
All of this is all that I can take, and you could never understand the demons that I face

Dean's POV.   Jo had a difficult struggle with the fact that her attitude and her role in 
the hunter's world made her into a "little sister" figure in Dean's life.  It was easier for him to 
see her as a kid, who had no idea what kind of things he and Sam really had to deal with, 
than to think of her as a woman, because he didn't have any female figures in his life who 
were in a position to actually get to know him, and had no idea how to even go about
integrating a chick who did into his worldview.  I tl;dr'ed about this exact thing here long ago.

Fire and Rain | Mat Kearney
I heard you were back in town, heard you were comin' round,
tryin' to get off the ground from every road you went down


Jo's POV.  This is based on Jo's sentiments here about when and how she fell for Dean,
and the impact of his rolling back into her life after she'd heard he was dead.  No matter
how crazy things keep getting, she still thinks about him, and wonders about what could be there.
Flying High | Jem
You can't know how much I think about you, it's making my head spin

Jo's POV. The night before her death, when Dean made a move on her, only to get
turned down, was all about Jo's self-respect, and really was the healthier choice for both of them.
It wasn't that Jo didn't want Dean - of course she did - but that wasn't how she wanted him.   
Not only that, but it really did give Dean a stronger sense of respect for her, and once again 
served to separate her in his head from all those barsluts who would give it up to him without
a second thought.

Maybe | Kelly Clarkson
I don't wanna be tough and I don't wanna be proud, but I don't need to be fixed
and I certainly don't need to be found; I'm not lost


Both POVs, really, though primarily Jo's.  This is my FAVORITE SONG OF EVER, ok, 
so feel honored for getting it.  It's my absolute favorite song for them too, period.
All the lines about their flaws fit them both perfectly, and more importantly,
the way they're both damaged and both always in the wrong place, wrong time for each other.
As much as Jo tried to hold onto a quiet hope that maybe some day Dean could actually
return her feelings in some real way, they were both deprived of any more possibilities
by her early death.  But luckily for CS Jo & Dean, maybe has the chance to become a reality
for them both, on the other side, and she holds onto those sentiments even when they wind up
in another galaxy.  EVERY LINE IN THIS SONG MAKES ME BAW LIKE A GIRL.
Russian Roulette | Rihanna
take a breath, take it deep, calm yourself, he says to me

Jo's POV, re: her last moments.  See this video for shit that makes Arden cry.

Part II:  A Galaxy Far, Far Away

      Dean and Jo, both fresh from death by hellhound, though 1 year removed
              from each other back home, arrive together in the Star Wars universe.
              While Jo leaves for a time, they're still both there for over half a year, 
               with only fleeting appearances by anyone else from back in their world.

 
Natural Disaster | Alexz Johnson
Am I another casualty of the battle you're fighting?

Jo's POV.  And instead of finding herself seeing him on the other side, 
Jo winds up inside Star Wars, along with Dean.   Confused at first
about why he doesn't remember her dying,  they work out their timeline confusion,
and she keeps to herself the full details of Dean's role in her death.  This song's 
about Jo dealing with being collateral damage in the storms that seem to follow 
Winchesters everywhere they go, and about how she sucks up her own feelings to 
avoid burdening Dean with that shit right off the bat.  And also about how she still
likes his ass, even if everywhere he goes, disaster follows.
On Call | Kings of Leon
She said call me now baby, and I'd come a'runnin'

Dean still sees Jo as the kid she was to him the last time he saw her, much to her annoyance,
and with Sam intermittently showing up, he doesn't really pay too much attention to Jo, 
figuring she'll want to be out doing her own thing.  However, when he winds up Captain
of the Enterprise II, she ends up signing up for crew, after he finds a way to undo the
charges that made him a wanted man on Coruscant.  No matter how much
they might have their own things going on, if Dean needs help, Jo's there to 
provide it, along, of course, with a large dose of snark.  
Any Day Now | Missy Higgins
Say you've kept some fire aside, to set light to me some surprising night

Jo's POV. Jo keeps waiting for the day Dean will stop being an ass
and an idiot and  appreciate everything she does for him and is for him, but he's not
particularly good at either of those things so she's consistently disappointed.
She winds up with Sirius but, as she'd later admit to Dean, 
"Even when I was with Sirius, and even now, when Gabriel's suddenly interested..
I've always wanted you. I just wasn't ever gonna push it." 
Even when she was with the others guys, she wanted the part of Dean that he kept
from everybody else, but was afraid that "all we see is all we've got".  
Lying | Sam Phillips
If I said I believe in myself and I don't need you, I'd be lying

Jo's POV.  As much as he drives her nuts and makes her angry enough
to throw darts at her picture, and consistently tell other people
how awful he is, Jo still cares for him and still wants him.  Winding up 
on his ship makes it clearer to her that she can't really willingly leave 
his side, even when she's got a whole galaxy to choose from, and 
the freedom her mother never let her have at home.  Most of her lying is
as much what she doesn't say as what she does.
Where Do We Go From Here | Mat Kearney
Back of your eyes look like my mother's, when we talk you're like my brother

Dean's POV. When her apartment is blown up while he's off planet, 
Dean's horrified by the idea of her dying while he wasn't around to help her. 
However, he never says anything to her about it,  after making sure she was okay from other sources. 
He instead offers her a spot on his ship, where he can make sure they have each other's back.
 He also expresses some playful jealousy over Sirius that isn't ... so playful underneath. 
When Alice disappears, Dean makes Jo his official number one, 
and during the time period where Sam was gone, he really bonds with his crew.   
And Dean starts to slowly realize that this Jo is different than the one he'd remembered:
that she's grown in a lot of ways and that her inner strength is one of the few constants
he could rely on in this wacky galaxy.   Without even realizing it, he was starting
to see her as an equal, more than a kid sister, or a young girl.  
He even lets her help him pilot.  :|

Part III:  Breaking Point

     When Jo's infected with a virus that turns her into a mindless zombie,
          Sam & Dean have to stop her, the only way they know how.  Upon her
          death and subsequent return, emotions come to a sudden messy head.

Winter Sun | Dishwalla
I could hear you fall, I could feel your body through the floor 
and all I see if the red of your blood for the first time


When Sam comes back, and the boys finally reunite on Coruscant,
Dean's feeling especially good about his space life.  Unfortunately, nothing
good lasts in the Supernatural world, and Jo contracts the virus that dooms its
victims to being transformed into a hideous zombie eventually.  Sylar takes care of her
while Dean's distracted by Sam, but eventually lets Dean know what's going on with her
With no cure available, she remains isolated on the ship,  until it's too late and she
turns into a rakghoul.  Sam & Dean tell Buffy they only have one recourse of action to take:
they have to kill the monster and hope Jo comes back as herself.  
They lure her off the ship but Dean hesitates when it comes time to throw the grenade,
until Sam reminds him that Jo would do this for either of them.  Dean complies, and then
sheds an angsty single tear, refusing to stick around and talk to his bro or Buffy about it all.
Jo had told him all about what'd happened back home by this point, but their circumstances
had always made it really hard for him to really think about what it meant that she was dead back home,
and that it was his fault.  This whole event drove all of that home in a stark and undeniable way that
woke Dean up to a lot of things.  
Gravity | Coldplay
Baby, when your wheels stop turning and you feel let down,
and it seems like troubles have come all around

There was a part of Dean that was really worried that Jo might not come back,
or that if she did, the virus might claim her again, which is one reason he took a 
personal hand in going to get a cure.  But while Jo was gone, he was an angsty
mess inside, which Sam hinted at when she finally came back.  Once again, 
Dean couldn't bring himself to go talk to her about what had happened, and seemed
to ignore her when she showed up, but she recognized how much of it was his 
guilt and self-loathing issues.  Not that he'd ever admit it out loud.

Leave You On the Pavement | Catherine Feeny
Love those shadows underneath your eyes, and I love that little boy who lives inside of your smile

Jo's POV.  So,  Jo's frustrated by the way Dean acted like a jerk but she also understands it,
and she's torn between her hatred of her asshole tendencies, and all the things she loves about him.
And dying tends to put things in perspective, so she's feeling both of those things twice as much as usual.
She tries really hard to push herself past her feelings for him, and it leads to her accepting Sylar's
advances, but in the end, she can't really leave her feelings for Dean behind either.  I love the line about
how she doesn't want to be a cliche, and that's one reason she doesn't want to believe she's just
holding out for him and is capable of moving on.  
Okay | KaiserCartel
it's in your eyes, what you've been hiding
turn on the lights, the truth hit home
it's okay if you want to play dumb, it's okay if you fool everyone, it's okay if you want to have fun


Jo finally goes to speak to Dean again who tries to play it off as if he's okay, when it's obvious he isn't.
He also expresses his belief that Sirius wasn't good enough for Jo, but then tries to shove her off when
she confronts him about how he handled killing her.
Unsaid | The Fray
And we are leaving some things unsaid, and we are breathing deeper instead 
We're both pretty sure neither one can tell; we seem difficult; what we got is hard as hell 

Like I said, with Dean & Jo, the things they don't say are often as important as the things they 
do, and they're both aware that there are things they aren't admitting to themselves or to each 
other.  And it was never more obvious than in her conversation with him upon returning from 
death.  Just as it looked like he was about to brush her off entirely and leave it at that, he 
added that he was glad to have her back, and she caught some of the deeper implications of as 
much.  Neither of them expected to ever be able to say or explain their actual feelings to each 
other, or were even willing to define it to themselves ("Not that you're the one/not to say I'm 
right/not to say today/and not to say a thing tonight") but that Something was still hanging 
there in the air between them.

Feel the Silence | Goo Goo Dolls
and you remain a promise unfulfilled
i ask you for more but you push me away 


The silence hanging there between them, full of so many things that they're holding in, is so 
thick that it's practically a tangible thing.  Both of them have been "so lost for so long" that 
they don't know how to reach out for (or even believe in the possibility of attaining) something 
stable that they could both actually have here.  It's almost easier for both of them to just let 
it hang there unapproached than to deal with the fallout, but Jo's disappointment over an act as 
simple as Dean removing her hand from his arm makes it clear that she's reached a point where 
she's willing to face the consequences, rather than not giving it a shot even once.  But she 
doesn't know where to begin in finding a way to reach him, and she struggles to find a way in 
this moment to actually say something.
Can't Fight this Feeling | REO Speedwagon

I wanted to avoid putting this ridiculously obvious song on the mix but... I also wanted it on 
here to marker the moment when Jo got Dean to sing it along with her, lightening the mood of 
their post-death conversation entirely.  His putting aside his pride in order to make her smile 
- and enjoying himself in the process - was what he felt was the least he could do after what 
she'd been through.  Obviously, this song itself... fits them really well,
but I DONT EVEN HAVE TO GO INTO THAT I HOPE.

Can I Have a Kiss | Kelly Clarkson
i see that you're torn, i've got some scars of my own;seems that i want what i know is gonna leave me hungry
don't move:  i wanna remember you just like this 


Jo's POV.  Fully aware of the ghosts haunting him, but just as aware of her own emotional scars 
over her death (made only more raw by the fact that he just had to kill her... again), Jo still 
puts it out there that if Dean wants her, she's there for him.  She doesn't imply a desire for 
any emotional commitment, knowing that that's likely to be something she can never have from 
him, but she still knows by now that she wants whatever she CAN have from him: even if it's just 
one night.  Part of her knows it won't be enough for her, and that it might hurt her worse in 
the end, but she's in a messed up enough place emotionally to not care at the moment.  
Also I like the line about her wanting to remember him this way in his happy carefree moment ;_;
Holy Love | The Cardigans
you can really make anyone you want of me / anyone you need tonight i'll be 
whether you want empathy, animosity / an enemy or company, call me
i can even be nothing if you ask / i'll turn invisible for you

Jo's POV.  Considering the way she acted the last time Dean in her own time tried to come onto 
her, it's obvious at this point that she's become comfortable enough with her feelings for Dean 
and her belief that he won't abuse her trust, that she drops all her own pride.  Which is a big 
deal, seeing as how it's something they BOTH hold stupidly dear to their stubborn hearts.  But 
that's the effect love has.  D'aw.  And at this point, she's more concerned with granting him 
some happiness, than just fulfilling her own feelings, and so she makes it clear to him that 
she's there as an option if it's one he wants - but that if he chooses not to take it, she can 
suppress her own feelings and be his crewmate or sister or whatever he needs from her. And I 
always like divine/angel references to Dean, because they never stop being funny and adorable to me.


Drumming Song | Florence + The Machine
as i move my feet towards your body, i can hear this beat
it fills my head up 
and gets louder and louder

Jo's offer really ratchets the sexual tension up to 100%, since it's... right out there,
and it manages to effectively completely short circuit all the wires in Dean's brain that 
have been arguing him out of making a move on Jo.  Which is why when she makes an off hand 
comment about how he should have kissed her, he just... goes for it.
Untouched | Veronicas
i feel so untouched and i want you so much that i just can't resist you
it's not enough to say 
that i miss you.  i need you so much somehow

And passionate makeouts are a go.  Both of them are better at explaining everything they've been 
feeling -this- way than with all those stupid words they can't say.  But it's a very desperate, 
unhealthy sort of kiss, considering how fueled by screwed up emotions it is, and seeing as how 
neither one of them knows what the other one expects from them.


Desire | Ryan Adams
two hearts beating like a flower, and all this waiting for the power
for some answer to this 
fire, sinking slowly,  the water's higher mmm desire
Whataya Want From Me | Adam Lambert

All I Want | Susie Suh

Part IV:  

Kisses Don't Lie | Rihanna
No Good | Kate Voegele
Trouble Is | Allison Iraheta
All At Once | The Fray
Angels/Losing/Sleep | Our Lady Peace

Part V:   Read My Mind

Open Your Eyes | Snow Patrol
Let Love In | Goo Goo Dolls
Witness | Sarah McLachlan
Ache | James Carrington
I Do Not Hook Up | Kelly Clarkson
All For Believing | Missy Higgins
Angels in the Room | Delta Goodrem
Good Enough | Evanescence
Halo | Beyonce
Naked | Avril Lavigne
If This Is It | Newton Faulkner
I Want Something to Live For | The Rocket Summer

Part VI:  
A SIght to Behold | Eisley
The Right Kind of Wrong | Leann Rimes
Bad Boyfriend | Garbage
Oh My God | Pink (ft. Peaches)
So What | Field Mob (ft. Ciara)
When the Wrong One Loves you Right | Celine Dion
Ooh Ooh Baby | Britney Spears

Part VII:
Co-Pilot | Letters to Cleo
I'm Not Alright | Sanctus Real
A Twist in My Story | Secondhand Serenade
Your Armor | Charlotte Martin
Beautiful Disaster (live) | Kelly Clarkson
Feathers and Down | The Cardigans
Goodbye, Apathy | OneRepublic
The Only Exception | Paramore

Part VIII:  Vacay
The Drinks We Drank Last Night | Azure Ray
Guess It May | Rosie Thomas
Borrowed Time | A Fine Frenzy
With You | Jessica Simpson

Part IX: 
Speechless | The Veronicas
All You Wanted | Michelle Branch
Baby Be Brave | The Corrs
She Is | The Fray
Forever Love (Digame) | Anna Nalick
Anytime | Kelly Clarkson
Love Remains the Same | Gavin Rossdale
Say When | The Fray

.zip
likedillinger: (| so THAT's how gravity works)
2010-08-28 03:26 pm

Application Ω [livejournal.com profile] squarewarts WIP

 Player Information

Name: Arden
LJ Account:  [livejournal.com profile] dancinpenguins  
Email: kiwi4ever13[at]hotmail[dot]com
Messenger: thegreatmuldini
Current characters, if any:  
Integra Hellsing | [livejournal.com profile] thehellsinggirl 
Jacen Solo | [livejournal.com profile] masterofpuns  
Would you like to be paired with a member of our welcoming committee? ----

In-Game Character Information
Name: Dean Winchester
Series:  Supernatural
Age:  26

Harry Pottahhhhhhh )
likedillinger: (| collar pop)
2010-08-28 01:19 pm

Essay; "Daddy Issues & the Batman Complex"

Note: A lot of my friends have written extensive metas on their characters, and I actually have a lot to say on my personal head canon for Dean and his psychology.  However, instead of posting it in one giant chunk, I'm going to write a series of individual essays, and create an index pinned in his journal to all of them.  This is the first of those.

Each of these essays are not me saying I know everything about Dean and this is the only way I will ever look at things: rather, I invite people to discuss, question, or argue with me in the comments to each one.   There are still episodes of the show I've only seen once or twice, and so I'm bound to have forgotten some things; if you know details of the show that contradict my ideas, I'd appreciate hearing them so that I can amend my personal view of Dean, and play him better.  :)   Or if you'd simply like to discuss the kinds of things I'll be talking more, I always love talking about Dean.


Daddy Issues & the Batman Complex
Dean’s relationship to John, hero-worshiping issues, and the impact of secret identities.


Dean and Sam's differing views on hunting have a lot to do with their respective childhood experiences.  Dean remembers what it was like to have a normal life, family, and home, and he's had to watch how losing all that transformed his father.  Given that the loss of his mother was something very real to him, unlike it was to Sam, it's hardly surprising that Dean chose the subconscious route of justifying his father's transformation, rather than condemning it, because this allowed him to not also lose his father, so to speak.  If he accepted that the path his father was taking was not a healthy one, or chose to be resentful about it, it would put a wall between them that would leave him without any parental figure to look up to, and the loss of his mother hurt him too much to be able to willingly accept that and make that choice.  Instead, it was easier, and more conducive to his relative sanity, to simply find reasons to believe that all his father's actions were just.

So how did a very young Dean grow up justifying the questionable actions of a man who ripped his childhood from him, and his chance at a normal, real life or identity?  How did he come to practically worship a father who was bent on vengeance, and showed more passion for his obsession than love for his children?

Very easily, actually.  He simply applied a child's lens to things.  

He believed that his father was a superhero.

I am vengeance. I am the night. )
likedillinger: (| sing it sweetheart)
2010-08-27 12:20 am
Entry tags:

Meme; not the first time he's been called a dog

 


You Are a Dog



You are a giving and thoughtful person. You truly want the best for those around you.

You are hardworking and loyal. You will do anything for your "pack," and you are a total team player.



You are spirited and energetic. You have the highest energy levels when you're with a group.

You have a strong protective streak. You will always step up to defend your friends.


likedillinger: (| i don't have -time- for literacy)
2010-08-18 10:20 pm

Drabbles for [livejournal.com profile] autophoenix ; 5+1 meme

Title | Five times Dean wanted to strangle Claire and the one time he really needed his baby sister.
Info | Claire is [livejournal.com profile] autophoenix .  Verse is BNW + 1 from Everybody's Fucked verse.  The last one is some... ambiguous future verse apparently where things ... are going well somehow.  Timelines vary.


"Why does my car smell like disinfectant?"  
6 Tales of Claire-dom )
likedillinger: (| oh?)
2010-08-16 09:20 pm

Meme; Letters, Day 8

✓ Day 8 → Your favorite internet friend
✓ Verse: BNW

[livejournal.com profile] humanmapquest 

Molls

Some day when you're older, I'm takin' you to a concert.  Until then, something's coming in the mail for you.

Dean.


likedillinger: (| i'm kind of a big deal)
2010-08-15 06:59 pm

Meme; 5 times Arden didn't complete a fic meme & 1 time she did

 5 + 1 meme!

Comment with a 5 + 1 list (five times X did Y and the one time s/he didn't, for example) and I'll write a little drabble about it! Include the names of the characters, the ship (if applicable), and a general rating to go along with it. This goes for any of my characters.

Characters

BNW | Dean, Angela, Zeus, Lois, Jacob, Quinn, Baltar, Mulder, Sydney, Michael, Jay, Dumbledore
DDD | Sam
Time is On My Side | Sam
Amityville | Buffy
Last Voyages | Buffy
Laid!verse | Buffy

Or other people here.
 
Disclaimer: it might take 6 months for me to finish.  srsly guys.  That last one did.  ><  I WILL TRY.